I’ve always considered myself a very apathetic person. I’m generally proud of the trait — one might even say I’ve often touted it — but I’ve occasionally been called out on it as well. Friends tell me that there’s got to be something I care about, otherwise, what’s the point of living?
It was during one such conversation several years ago that a friend asked me point-blank whether there was anything I was passionate about. I had to think about it, but after a while I landed on music as a real passion. Certainly not playing it, but listening to it, discovering it and sharing it.
Ever since then, I’ve said that my ideal job would involve sitting around all day, listening to music and writing about it — as well as attending countless concerts, of course.
But whenever I read a review on Pitchfork, I question whether I’d be happy doing that for a living, or if it’s better kept as a hobby.
While searching for information on the band Thumpers, I came across a Pitchfork review that made me think the writer must be so jaded and cynical. And it’s certainly not the first time I’ve had that impression while on the site.
My assumption is that, after listening to so much music by so many bands of varying degrees of quality, the novelty eventually wears off and it’s difficult to ever be truly impressed.
I’m not saying Thumpers are amazing by any means, but they’re far from bad. Their debut release, Galore, which came out last month, is filled with the kind of hopeful indie-pop you might expect on a Passion Pit or Friendly Fires album, but with a far less electro-heavy delivery.
The London-based duo of Marcus Pepperell and John Hamson Jr. layer their vocals over a slew of instruments that skirt the edge of being too overpowering. Lyrically, their songs’ winsome emanations belie a forlorn longing for the lost innocence of youth.
This is an album that definitely grows stronger with repeated listens. There are a number of solid tracks, including “Marvel”, “Sound of Screams” and “Unkinder (A Tougher Love)”. Even the filler stuff is relatively catchy — most notably “Come On Strong”, “Now We Are Sixteen” and “Tame”.
The group is currently in Austin for SXSW, then has a brief tour of the West Coast before heading back to Europe. Considering that the album won’t be dropping in their native England until mid-May, Thumpers is at the precipice of what could be a breakout year.
Do yourself a favor and hop on the bandwagon before all the hipsters claim the best seats.
[…] the more trustworthy showcases — the Paste magazine party. That’s how I happened upon Thumpers, and it’s also why I finally decided to give Wild Cub a […]
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