MOG is dead. Long live MOG.
What began as a hub for music bloggers and morphed into a music-streaming site officially went kaput at the end of May, replaced by Beats Music.
I have yet to decide if I want to subscribe to Beats or choose a different source to stream my music. That’s one reason I haven’t posted in nearly a month.
Anyway, before MOG said goodbye, I had been working on a compilation post of three bands I’d discovered through the site. It took several weeks for me to finally finish, but perhaps it’s fitting, considering how often MOG would cause my web browser to freeze whenever I tried to close it.
I don’t recall which band I was listening to at the time, but eventually, after that particular album finished, MOG turned to its radio play, which usually included related artists. That’s how I first discovered Vanaprasta and its catchy single “Nine Equals Nine”.
Aside from a handful of songs, the unsigned quintet from Los Angeles seems to be trying its hardest to channel Kings of Leon. Lead singer Steven Wilkin is just the latest in a long line of Caleb Followill wannabes.
That’s not to say this group is horrible, just derivative. Formed in 2009, Vanaprasta released a three-track EP, Forming the Shapes, in March 2010. It included a decent opener, “Color of Sin”, and a couple of skippable tunes.
The following November saw the release of a proper full-length, Healthy Geometry, which opened with the above-mentioned “Nine Equals Nine”. Other than a few songs — such as “Come On”, “Supernumerary” and their best Radiohead impression, “Crushing Ants” — the album is mostly dreck.
I’m not even sure how the group landed on MOG, but maybe it should consider following a similar path and just fade into obscurity.
Apparently, the group Wildlife Control had a viral hit on YouTube with the February 2012 release of the video for “Analog or Digital”. (The 8-bit version. Not the stop-motion inset.)
That track was released as a single in December 2011, led off the EP Spin in March 2012 and was the only above-average song on the band’s self-titled full-length debut, which landed that July.
Other than a few blips on some “notable” blogs and radio stations, the band has yet to create much of a stir. Formed in 2011 by brothers Neil and Sumul Shah, Wildlife Control call both Brooklyn and the Bay Area home. To that point, their album includes tracks titled “Brooklyn” and “Oakland”.
Other than their single and the track “People Change” — which randomly calls to mind Phoenix — the group sounds like a hybrid of a lot of other indie bands. And when Neil starts tickling the ivory, Wildlife Control morphs into a poor man’s Ben Folds Five.
They did release a couple of singles in 2013 — “Different” and “Ages Places” — that show they may be starting to develop a more interesting sound. But we’ll have to wait until they put out another album before that theory is proven.
Probably the most interesting band on this list is also the most surprising for me. If you’re a loyal reader of this blog, you’ll know that I have a hard time getting into instrumental music. Apparently, if I don’t have some lyrics to sing along to, it’s not worth my time.
The only vocal-free music I’ve taken to in the past few years is some of the stuff on The XX’s debut and the opening theme to the show Friday NIght Lights, which was done by Explosions in the Sky.
But I guess it shouldn’t be too shocking that I’d become enamored with an artist that is basically a mix of those two groups. Also known by the moniker ISO50, Scott Hansen has been putting out ambient, post-rock music as Tycho since 2002.
Also known for his photography and design work, Hansen paints vivid pictures with his lush sounds. After releasing a couple of full-length albums in the mid-Aughts — Sunrise Projector and Past is Prologue — his musical output was restricted to singles for several years before he returned with Dive in 2011 and followed with Awake this past March.
Where Dive had a faster pacing, Awake slows things down, resulting in an even more pleasant listen. The album starts strong with the title track and “Montana” — both of which would be perfect entry points for fans of The XX. As the album progresses, Hansen mixes in the Explosions influence while maintaining a chill vibe throughout.
Started in Sacramento and now based in San Francisco, Hansen does take his Tycho act on tour and includes a live band. (One can only imagine how many concert-goers inevitably fall victim to slumber during a set.) After spending July in Europe, Tycho will make a quick sweep of North America, including a rather random stop in Urbana, Ill., in September.