Infinite Shuffle

July 27, 2011

77 – Cults

Filed under: C, Manhattan — assman41 @ 9:22 pm

The recent resurgence of all-girl groups on the indie scene reached a peak with bands such as Vivian Girls and Dum Dum Girls channeling the sounds of the late 1950s/early ’60s.

A couple of years later, Best Coast took that sound, cut the harmonizing down to one female voice and added a lo-fi, surfer/slacker vibe.

Now Cults comes along, with female vocalist Madeline Follin, who sounds like she could’ve been a member of The Shangri-Las or some other group from that era. Paired with instrumentalist and backup vocalist Brian Oblivion, the Manhattan duo has taken the girl-group sound back to its roots and slowed things down with a slightly gothy layer.

Cults – Bumper

The two New York University students formed a band in 2010 and rose to prominence when they released a three-song EP. In June 2011, Cults put out a self-titled full-length debut, to much critical praise.

Cults – Go Outside

The production seems sparse, but it’s complex enough that it’s inviting and not annoying.

Follin’s vocals call to mind a hybrid sound of contemporary singers Bethany Costenzo (Best Coast) and Zola Jesus.

Cults – Never Heal Myself

February 13, 2011

Random threeplay

Filed under: Aliso Viejo Calif., B, C, Cleveland, Denmark, N — assman41 @ 4:52 pm

Cloud Nothings

It’s been a whirlwind rise to semi-stardom for Dylan Baldi (aka Cloud Nothings). A little more than a year ago, he was an 18-year-old sitting in his parents’ basement in Cleveland, making songs with nothing besides a laptop and a microphone.

Since then, he signed to Carpark Records, which released a compilation of his various tracks called the Turning On EP. And just a few weeks ago, a more properly produced, self-titled, full-length album dropped.

In the interim, he became a darling of the blogosphere and formed a band that played with such acts as Titus Andronicus, Best Coast, Wavves, Real Estate, Woods, Parts & Labor and Kurt Vile.

The songs on the EP are loaded with the obvious lo-fi, fuzzy, garage-rock sound. The best ones are the title track and “Hey Cool Kid”.

Cloud Nothings – Hey Cool Kid

But on the LP, which was produced by Baltimore-based Chester Gwazda (Dan Deacon, Future Islands), the tracks become tighter and crisper. And the sound develops something of a surfer-punk ethos. It kinda reminded me of what Best Coast would sound like with a male lead vocalist.

Cloud Nothings – Should Have

Check out the band’s MySpace page, where you will find seven tracks to listen to.

Bon Voyage

Based in Aliso Viejo, Calif., the husband-wife duo of Jason and Julie Martin have been making music together for more than 15 years.

Bon Voyage began as a side project for Jason, a member of Starflyer 59, and Julie, the former lead singer of Havalina. They put out a couple of 7-inch records in the mid-’90s then a self-titled LP in 1998. Eventually, they followed that with The Right Amount in 2002.

Then they went on their longest hiatus to date before dropping their third full-length release, Lies, in 2008.

The music on Lies is your basic shoegaze/synth-pop with Julie providing the vocals and Jason doing everything else. There are several solid tracks, including the opener, “Monster”, “Birthday” and “Wake Up, Make Up”.

Bon Voyage – Monster

They also do a decent cover of The Smiths’ “Girlfriend In a Coma”.

Northern Portrait

Speaking of Morrissey and the boys, if you’re still waiting for them to get back together it’ll probably be awhile. In the mean time you could always go check out Northern Portrait.

There’s very little you need to know about this group other than the fact that it is composed of a trio of Danish dudes who sound exactly like The Smiths.

Seriously. Pick any of the 10 songs on the band’s debut full-length release, 2010’s Criminal Art Lovers.

Northern Portrait – Life Returns To Normal

Northern Portrait – What Happens Next?

It’s a solid album, but it’s difficult to get past the feeling that you’re listening to a tribute band.

January 16, 2011

59 – California Wives

Filed under: C, Chicago — assman41 @ 12:01 am

As I prepared to see The Helio Sequence in concert earlier this week, I made sure to check out the various opening acts to find out what was in store for me and to figure out how early I wanted to arrive.

After listening to all the bands, it quickly became apparent that I needed to get to the venue as soon as the doors opened. Not because the bill was packed full of awesome bands, but because the best act of the night would be the first one to hit the stage.

The five songs on California Wives’ website absolutely blew my socks off. So much so that I immediately headed over to iTunes and downloaded their debut EP, Affair.

California Wives – Blood Red Youth

(Note: For some reason, all of these songs are taking 15-20 seconds before they start to play. So, just be patient.)

This four-piece group from Chicago combines all the best elements of the post-punk, shoegazer and indie-pop genres into one awesome force.

California Wives – Twenty Three

Because of a special promotion at the concert, there were more people than usual in attendance for the opening acts. So, after a somewhat quiet response to start the show, the Wives received a solid ovation following their 30-minute set. They played six songs — four songs from their album and two new ones — all of which were solid.

One of the things I found most interesting seeing them live was how they divvied up the lead vocals. Standing front and center with his keyboard — and occasionally a guitar — was Jayson Kramer. He did most of the talking between songs and, I assumed, was the lead singer.

But with my view from the upper level somewhat obstructed by the band’s family, I didn’t realize initially that a lot of the singing was actually coming from the far right side of the stage, where unassuming bassist Dan Zima was perched.

Any time a band has more than one real vocalist, I consider that a plus in my book.

California Wives – Guilt

This band is ready to blow up on the national scene. The group is currently unsigned, but I doubt that’ll be the case for long, especially after the boys strut their stuff at the South By Southwest Festival in March.

To keep tabs on the band, check out its MySpace page.

January 9, 2011

58 – Cotton Jones

Filed under: C, Cumberland Md. — assman41 @ 3:30 am

While scouring the internet and iTunes for reviews of Cotton Jones, I stumbled upon a simple, one-sentence summation that perfectly captured the band’s sound …

Still the man who musically helps you come down from your bad trip.

The man, in this case, would be Michael Nau, the former lead singer and creator of the band Page France, who joined forces with Whitney McGraw in 2005 to comprise The Cotton Jones Basket Ride. Since shortening its name a couple of years ago, the band has put out a pair of solid full-length albums, including 2009’s Paranoid Cocoon and last year’s Tall Hours in the Glowstream.

As you can probably tell from the above quote, the duo’s sound is heavy on the psychedelia, but it also has a strong folk influence.

The debut album opens with Nau channeling his inner Jim Morrison on “Up a Tree (Went This Heart I Have)” and “Gotta Cheer Up”. From there, his and McGraw’s voices grow more soothing as the songs meld together into a never-ending trance.

Another strong track on that disc is “Blood Red Sentimental Blues”

On the more recent album, Nau’s voice dominates as McGraw is resigned to more of a backing role. While that certainly affects the harmony, all is not lost. The group doesn’t stray too far from its earlier sound, except that the songs are slightly reined-in and little poppier. Additionally, several of the songs have a familiar, almost oldies-like vibe to them.

The best track on the album is the one that originally introduced me to the group — “Somehow To Keep It Going” — but there are also several other solid tunes, including “Sail of the Silver Morning”, “More Songs For Margaret” and “Glorylight and Christie”.

Cotton Jones – Somehow To Keep It Going

(Note: For some reason, there is a delay of nearly a minute before this track starts playing. So, you should just open it in a separate tab and continue reading. Trust me, it’s a good song.)

I had never heard of the group until seeing Tall Hours in the Glowstream listed as No. 4 on Urban Outfitters’ Best of 2010 list. The group, which seemingly came out of nowhere as far as I was concerned, has put out several EPs and a few other assorted releases since 2007. The members developed their sound while living in the Appalachian hamlet of Cumberland, Md., but they have supposedly since relocated to Georgia.

To hear several more of their songs, visit their MySpace page. While there, take note of their current tour schedule. They make a quick pass through the Midwest for a few days in early February before heading back this way at the end of the month.

August 29, 2010

40 – Coconut Records

Filed under: C, Los Angeles — assman41 @ 12:01 am

My interest in Jason Schwartzman, the musician, seems to have taken the same circuitous route as my interest in Jason Schwartzman, the actor.

Like everyone else, I first discovered Schwartzman via his debut film, Rushmore. While the movie is top-notch, he was mildly annoying. And the status of my fandom only grew more perilous after watching him in Slackers, another solid film in which he plays a pest.

So, by the time I’d heard he was a drummer in some band and eventually had struck out on his own as an artist, I wrote him off as just another egotistical fame-whore.

But as he gained some indie film cred — and after other actors, such as Zooey Deschanel, Jared Leto and Scarlett Johansson, released some non-shitty albums — I figured I should cut him some slack.

Also, after hearing a couple solid songs he’d put out under the moniker Coconut Records, I decided it might be time to give his music a chance.

And it was something of a revelation, not least because I didn’t realize how many of his songs I’d already heard before and enjoyed.

I recently listened to both of his albums — Nighttiming (2007) and Davy (2009) — four times apiece, and each time they grew on me more and more.

He mostly goes the indie-pop route but gets a little more rocking and dancy on a few tunes, including the title track from his debut album. He even dabbles in alt-country on “Mama”, from the first album.

That first album includes what has to be his best and most popular tune, “West Coast”, which is accompanied by an equally awesome video.

Another good one, “Drummer”, from the latest disc, is autobiographical, and touches on his time as the drummer for Phantom Planet.

Speaking of autobiographical, besides the well-known relations to Francis Ford Coppola, Nicolas Cage, Sofia Coppola and Talia Shire, his brother, Robert, happens to be the lead singer of the band Rooney. Who knew?

June 20, 2010

32 – Niall Connolly

Filed under: C, Ireland — assman41 @ 12:01 am

This is my first — and last, I would assume — shameless plug for a musician friend of mine. Actually, he’s a friend of a friend, but considering he’s Irish and we’ve been drinking together in Chicago once before, we’re practically friends.

Connolly is a singer/songwriter from Brooklyn, by way of Cork, Ireland. I first came to hear of him when my friend, Scott, met him during one of his trips to Ireland a couple of years ago.

He burned me a copy of his 2007 album, Future Tense, and I gave it a whirl. I had to admit, it was pretty solid.

I’m usually not one who goes for the singer/songwriters. While many of them are quite talented, I generally require more instrumentation and complexity to my music than just a dude and his guitar.

That being said, I could definitely tell that Connolly had some chops. While his Irish lilt is ever-present, his sound can’t really be pigeonholed into the Damien Rice/Glen Hansard ilk. His vocals and song-crafting styles could easily be mistaken for somebody born in the States.

A couple of my favorites from the aforementioned album are “70,000 Words” and “If You Find Me In Morocco”. I can still remember singing along to the former when I saw Connolly live at Atlantic Bar in Chicago during Scott’s ill-fated debut as a concert promoter.

Future Tense was Connolly’s third full-length release, and he has since added two more, including a live album in 2008 and Brother, the Fight is Fixed, which comes out July 1.

Scott flew out to NYC to help Connolly shoot the video for the first single, “Jesus Is Coming (And I Can’t Pay the Rent)”. The song is catchy as hell, and the video isn’t bad either. I particularly liked the two lip-synching women.

For more on Connolly, check out his official website or his MySpace page.

May 23, 2010

28 – Class Actress

Filed under: Brooklyn, C — assman41 @ 12:01 am

Whereas most of my musical discoveries come from searching websites, blogs and podcasts, I found out about Class Actress almost by chance.

I happened to be in Chicago a couple of weeks ago to see Freelance Whales and the Shout Out Louds, and I stopped by my brother’s place to drop off my gear. When I arrived, he started playing some songs by a band he’d just randomly heard while in a store earlier in the day. And so became my introduction to Class Actress.

As it turns out, I already had a track of theirs downloaded and, on my drive home from Chicago, I came across another of their songs via the “KEXP Song of the Day” podcast.

As far as my musical tastes go, Class Actress is on the fringe. They’re out there on the “might-be-a-little-too-electro-for-my-liking” periphery with such acts as The Presets, Golden Filter, Empire of the Sun and Cut Copy.

One music critic likened their sound to Madonna, Depeche Mode and Chairlift. I don’t know about the Madge comparison, but the latter two seem apt.

The group consists of vocalist Elizabeth Harper and producers Mark Richardson and Scott Rosenthal. Harper started out as a solo singer/songwriter but switched gears after hearing some of Richardson’s remixes of her songs.

The trio set up shop in Brooklyn and released a five-track EP, Journal of Ardency, on Feb. 9 on Terrible Records, the awesomely named new label run by Grizzly Bear’s Chris Taylor.

Overall, the disc shows some definite potential, and I’m hopeful I’ll like whatever they put out next.

Here are my two favorite songs  …

Class Actress – Careful What You Say

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